{"id":246,"date":"2021-03-08T13:12:43","date_gmt":"2021-03-08T13:12:43","guid":{"rendered":"https:\/\/www.manuelacirino.it\/?page_id=246"},"modified":"2021-03-19T15:16:04","modified_gmt":"2021-03-19T15:16:04","slug":"altri-lavori","status":"publish","type":"page","link":"https:\/\/www.manuelacirino.it\/en\/altri-lavori\/","title":{"rendered":"Other works"},"content":{"rendered":"
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Other works<\/h2>
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Da ragazza si sentiva sperduta in un modo speciale. Adesso, invece, si sente sperduta come chiunque altro<\/em>, 2004, gres, cm 39 x 26 x 13<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Ed ora tutte queste immagini andranno perdute<\/em>, 2000, gres, cm 40 x 25 x 25<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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\r\n \"5memoria-di-niente\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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Memoria di niente<\/em>, 2000, Print on PVC, cm 300 x 240<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Work born from La L\u00e9gende de Saint Julien l'Hospitalier, 1872-75 by Gustave Flaubert<\/p>\n

\"... and he wasn't thinking of anything, there was no memory of anything in him. He only knew that he was hunting in any country, for an indefinite period, in the same way he knew he existed, and it all happened with the ease of dreams. \"<\/em><\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Secondo tentativo<\/em>, Galleria Ciocca, Milano, 2000<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Some figures closely linked to each other lie on the ground.
\nWe are spectators of an action that is not explicit and that retains an aspect not yet revealed.
\nThe feeling that binds the figures is indefinite, poised between a movement of support or defeat.
\nA tragic event, a dance, a game or an unsuccessful action.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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Secondo tentativo<\/em>, Galleria Ciocca, Milano, 2000<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Some figures closely linked to each other lie on the ground.
\nWe are spectators of an action that is not explicit and that retains an aspect not yet revealed.
\nThe feeling that binds the figures is indefinite, poised between a movement of support or defeat.
\nA tragic event, a dance, a game or an unsuccessful action.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Secondo tentativo, 2000, ceramic, diam. cm 35 x 11<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Vi racconto<\/em>, 2009, wood, ceramic, cm 72 x 42 x 56.5, detail<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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In the act of looking, we are in a certain sense observed by what we look at<\/em>. We modify our thinking according to the fact that infinite changes, second after second, occur during the relationship we establish with the world of things.
\nIn this reciprocity is sought The tale of sculpture<\/strong><\/em><\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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Vi racconto<\/em>, 2009, wood, ceramic, cm 72 x 42 x 56.5, detail<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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In the act of looking, we are in a certain sense observed by what we look at<\/em>. We modify our thinking according to the fact that infinite changes, second after second, occur during the relationship we establish with the world of things.
\nIn this reciprocity is sought The tale of sculpture<\/strong><\/em><\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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\r\n \"9vi-racconto\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n
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Vi racconto<\/em>, 2009, wood, ceramic, cm 72 x 42 x 56.5<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Dialogo tra la Natura e un islandese, 1995, installation at Steinfurter Stra\u00dfe 107, M\u00fcnster, black painting and recorded track.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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The work reflects on the relationship between the individual and the landscape, with a reference to German and Italian romanticism. The installation is made with the recording of a reading of the homonymous text by Giacomo Leopardi. Each of the two windows of a room impersonates a character (Nature and an Icelander). The environment is darkened by painting the windows black, leaving out a few holes, through which light penetrates, showing a trace of the external landscape, hidden from view.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"Altri lavori Da ragazza si sentiva sperduta in un modo speciale. Adesso, invece, si sente sperduta come chiunque altro, 2004, gres, cm 39 x 26 x 13 Ed ora tutte...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-246","page","type-page","status-publish"],"yoast_head":"\nManuela Cirino | Altri lavori<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.manuelacirino.it\/en\/altri-lavori\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manuela Cirino | Altri lavori\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.manuelacirino.it\/en\/altri-lavori\/\" \/>\n<meta property=\"og:site_name\" content=\"Manuela Cirino\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-19T15:16:04+00:00\" 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